Gallery
Fusuma papers have been evolving. In the past, Washi (Japanese paper) was made by hand, called "suki", and artisans drew pictures on it and decorated it, resulting in tens of millions of Fusuma papers. In recent years, technological innovations in printing machines have made it possible to give ordinary paper the delicate unevenness and texture of Washi. It is so precise that it is impossible to distinguish between Japanese paper and non-Japanese paper even when viewed up close. One of the most famous examples of this technology is "Thirty-six Views of Mount Fuji," a world-famous work by Katsushika Hokusai. Harima Industrial Co., Ltd. actively accepts new technologies while preserving tradition.
Authentic sliding door paper made of Washi (Japanese paper)
山桐 Yamagiri
It is derived from and abstracted from the traditional Japanese family crest (paulownia crest) and is called "Yamagiri" because it resembles the character for "mountain".
百花 Hyakka
Flowers of the four seasons, plum blossoms, camellias, peonies, Dianthus, orchid, wisteria, and chrysanthemums, all of which were popular in the Edo period, are depicted in a generous design.
春挙松 Syunkyomatsu
This lively pine tree design was created from a rough sketch by Shunkyo Yamamoto, a painter active from the Meiji to Showa periods. The pine tree has a life span of 1,000 years, and its evergreen color, which does not wither even in winter, has been revered as a symbol of longevity.
北斎大波 Hokusaioonami
This design is based on the waves of Katsushika Hokusai, a representative Ukiyoe artist of the late Edo period. This pattern has the force of waves and charm.
青海波 Seigaiha
Seigaiha (blue ocean wave) has been favored since ancient times as a wave pattern that represents the calm ocean. It is a continuous pattern of waves composed of overlapping circles.
一分筋 Ichibusuji
Persimmon tannin-dyed washi paper (with three coats) is made by picking astringent persimmons when they are still green (August to early September), squeezing out the juice, diluting it with water, and preserving it. Japanese paper dyed with persimmon tannin is strong and the color of persimmon tannin darkens over time. Please enjoy the changes over time.
金花鳥 Kinkachou
Kinkacho (gold flowers and birds) is a Japanese calico. The bird represents a phoenix, and the flowers and grasses gracefully decorate the screen in this gorgeous design.
市松張り Ichimatsu
The Ichimatsu checkered pattern became very popular when Sanogawa Ichimatsu I, a Kabuki actor of the Edo period, wore Hakama (trousers) with alternating white and dark blue squares.
Fusuma Paper by Inkjet Printer
江戶日本橋 Edonihonbashi
Arranged into Fusuma Paper based on "1_Edonihonbashi", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
江都駿河町三井見世略圖 Edosurugachomitsuimiseryakuzu
Arranged into Fusuma Paper based on "2_Edosurugachomitsuimiseryakuzu", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
深川万年橋下 Fukagawamannenbashishita
Arranged into Fusuma Paper based on "6_Fukagawamannenbashishita", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
青山圓座枩 Aoyamaenzamatsu
Arranged into Fusuma Paper based on "8_Aoyamaenzamatsu", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
下目黒 Shimomeguro
Arranged into Fusuma Paper based on "10_Shimomeguro", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
礫川雪ノ且 Koishikawayukinoashita
Arranged into Fusuma Paper based on "11_Koishikawayukinoashita", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
駿州江㞍 Sunshuejiri
Arranged into Fusuma Paper based on "35_Sunshuejiri", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
神奈川沖浪裏 Kanagawaokinamiura
Arranged into Fusuma Paper based on "21_Kanagawaokinamiura", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
相州江の嶌 Soshuenoshima
Arranged into Fusuma Paper based on "25_Soshuenoshima", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
相州梅澤左 Soshuumezawanohidari
Arranged into Fusuma Paper based on "27_Soshuumezawanohidari", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
山下白雨 Sankahakuu
Arranged into Fusuma Paper based on "32_Sankahakuu", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
凱風快晴 Gaifukaisei
Arranged into Fusuma Paper based on "33_ Gaifukaisei", one of the forty-six "Fugaku Sanjuroku Keikei" (Thirty-six Views of Mount Fuji) by Katsushika Hokusai, a Ukiyoe artist of the Edo period.
Fusuma Paper Web Catalog
These are the authentic Japanese Fusuma papers that Harima Industrial recommends with confidence.
Edo Karakami Comprehensive Collection
Published by Tokyomatsuya Inc.
This is a special sample book made in the hope of perpetuating the history and technology of "Edo Karakami" that has continued since the Heian period. "Edo Karakami" is a craft made by applying various decorations to Washi, Japanese paper, and is designated as a traditional craft by the Japanese government.
Thirty-six Views of Mount Fuji
Published by Rikyu Division, Kikuchi Fusuma Manufacturing Co., Ltd.
Included in "Shizuka Vol. 6"
This Fusuma paper is based on the "Thirty-six Views of Mount Fuji," a set of famous Ukiyoe prints created by Hokusai Katsushika, a Ukiyoe artist of the Edo period.